My work ebbs and flows between photography, painting, murals, and all the color in between.

I’m drawn to people, movement, and the character of a place—whether I’m photographing a crowded stage, the inner working of a restaurant kitchen, making a portrait, or standing in front of a wall with a paintbrush.

I’ve always moved pretty freely between ways of making things. Photography lets me respond to what’s already there; painting gives me room to invent, rearrange, and make a mess. I like that tension, and increasingly I’m interested in the places where those two ways of seeing overlap.

Mostly, I’m looking for the thing that gives something its character and energy: a gesture, a color, a strange bit of light, an imperfect edge, or something I couldn’t have planned.